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Archive for the ‘Exhibitions’ Category

Paris, 10 September 2012, Art Media Agency (AMA).

From 8 September to 11 November 2012, the Praz-Delavallade Gallery in Paris is displaying “The Petrified Forest”, a new exhibition of artist John Miller.

John Miller’s work is characterised by a multiform aspect: painting, sculpture, photography, and video. With humour, empathy, and perspicacity, his works immerse the spectator into the maelstrom of daily life and sublimate banality. In his previous series, Miller took an interest into the differences between the price and meaning of things, and questioned in depth the notion of worth in our capitalist societies. His most recent projects are dedicated to representations both critical and poetic of the emotional affects, of the relationships to “biopower” (concept elaborated by Michel Foucault) and of its impact on individuals.

In the new series of wooden relief paintings displayed in this exhibition, Miller uses again the subject of individuals crying in reality TV shows, a theme previously tackled in the “Everything Is Said” series. The use of a drab palette of colours, of greys and browns, takes the bad taste inherent in mass media from the images and highlights the paintings’ manufactured aspect. In his “Game Show Paintings” series (1998-2000), John Miller has focused on the coloured settings of TV games, in opposition with the candidates’ apparently interchangeable character. In opposition, the gendre of reality TV shows seems to focus on individuals and on staged or unstaged situations but John Miller chooses to depict the other side of the picture. Crying has indeed become a performative asset: angers, fights and tears represent strong moments in these shows. On the same level as beauty or charisma, the ability to show one’s emotions in front of cameras seems to have become an essential prerogative when participating in these shows. With his work, Miller reminds that every representation of reality necessarily requires a subjective point of view.

This is John Miller’s fourth solo exhibition in the Praz-Delavallade Gallery. Currently, his work is also displayed in group exhibitions at the Rubell Family Collection in Miami and at the Palais de Tokyo in Paris.

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Heterotopia
May 31, 2012 – June 29, 2012
Opening reception May 31 2012 5:30 – 9:00PM
Further details

LA JOLLA–The UCSD University Art Gallery and Visual Arts Department are pleased to announce Heterotopia, an exhibition featuring the work of this year’s graduating MFA students. Conceived by Michel Foucault, “heterotopia” describes non-hegemonic conditions of human geography. Heterotopias consist of socially-elaborated counter-sites, or places where the real sites within and between cultures are simultaneously represented, contested, and upended. Consistent with Foucault’s heterotopia, the conditions of a fine arts program are apt to be likewise non-hegemonic and discursive – a space of critical deliberation, evolution, and a plurality of ideas. We have expanded this notion to encompass the various trajectories and coexistent practices of this widely diverse graduating class.

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Magritte and Foucault at Moderna Museet until 6 November
Stockholm 1 September 2011 – 6 November 2011

“Moderna Museet Essä” is a new series of essays published by the Modern Museeum of Stockholm and Axl Books. The first essay was written by Lars O Ericsson : Magritte – Foucault. Om orden och tingen (Magritte-Foucault. Worlds and things). This is also the title of the exhibition by Lars O Ericsson presented in the Pontus Hultén Gallry of the Modern museum of Stockholm from September 1 to November 6, 2011.

From France in Sweden site
See also Museum site

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ANNA BETBEZE: ‘Moss Garden’

Kate Werble Gallery
83 Vandam Street
SoHo
New York
Until March 12 2011

Review by Karen Rosenberg

Flokati rugs, those fluffy white coverings traditionally handmade in the Pindus Mountains in Europe and prized by contemporary designers, become wild-and-woolly wall reliefs in Anna Betbeze’s first New York solo. Ms. Betbeze dyes, scorches, shreds, shaves and otherwise attacks these shaggy objects until they start to look more like sheep’s carcasses than sheep’s coats. [...]

These titles (and the show’s title, “Moss Garden”) refer to Michel Foucault, who lectured that “the garden is a rug onto which the whole world comes to enact its symbolic perfection, and the rug is a sort of garden that can move across space.” Fortunately the artworks don’t take themselves as seriously; they have a wonderfully forlorn, abject quality that inspires more empathy than theory.

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Surveillance (2010)

Erin Quinn, “Surveillance” ,
Centre for Creative Practices in Pembroke Street, Dublin,
August 2010

From The Irish Times

Quinn drills home the manner in which we are relentlessly watched on screen. Her photographs and footage deal with the increased surveillance of public, work and private spaces in modern life. Quinn takes airports as her case study. She spent a year in Dublin airport, photographing passengers from the top-down perspective of a CCTV camera. At first the photographs strike the viewer as exceptionally normal, with the graphic details of the figures’ clothing or baggage set off against a bland background. On further inspection they’re more troubling, insidious…
Her airport sessions were inspired by French philosopher Michel Foucault (1926-84), particularly his studies of 18th-century designs for a “Panopticon”.

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