Martine Franck took some notable photographs of Foucault, some of which can be found here
From Time Lightbox
August 20, 2012 | By Vaughn Wallace
Martine Franck, an esteemed documentary and portrait photographer and second wife of Henri Cartier-Bresson, died of cancer in Paris on Aug. 16 at the age of 74. A member of Magnum Photos for more 32 years, Franck was a co-founder and president of the Henri Cartier-Bresson Foundation.
“Martine was one classic Magnum photographer we could all agree with,” said photographer Elliott Erwitt. “Talented, charming, wise, modest and generous, she set a standard of class not often found in our profession. She will be profoundly missed.”
Born in Antwerp, Belgium in 1938, Franck studied art history at the University of Madrid and at the Ecole du Louvre in Paris. In 1963, she began her photographic career at Time-Life in Paris, assisting photographers Eliot Elisofan and Gjon Mili. Although somewhat reserved with her camera at first, she quickly blossomed photographing the refined world of Parisian theater and fashion. A friend, stage director Ariane Mnouchkine, helped establish Franck as the official photographer of the Théâtre du Soleil in 1964—a position she held for the next 48 years.
As her career grew, Franck pursued a wide range of photographic stories, from documentary reportage in Nepal and Tibet to gentle and evocative portraits of Paris’s creative class. Her portfolio of the cultural elite includes photographic peers Bill Brandt and Sarah Moon as well as artist Diego Giacometti and philosopher Michel Foucault, among others. In 1983, she became a full member of Magnum Photos, one of a small number of female members at the legendary photographic agency. Balancing her time between a variety of stories, her work reflects an innate sensitivity to stories of humanity.
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